![]() Patty Schemel: We initially met at that Planned Parenthood benefit. It's a lot more powerful and difficult to make music that's a home for struggling and marginalized people, than to name-check an LGBTQ organization in a song. On "Crying On The Bathroom Floor," they grapple with the complex relationship between love and abuse, a song they later used to define America's relationship to Trump's inauguration. ![]() "Loudspeaker" testifies to the Herculean strength of recovery ("Every time I don't shut up/ It's revolution"). Their breakout hit "I Know A Place," which has become a queer/ coming out anthem, celebrates the dance-floor as a sanctuary (it was written for a friend suffering from cancer, and later dedicated to the victims of the Pulse nightclub shooting). For MUNA, personal storytelling is a political response to the world - and the way they do it feels exhilarating and credible next to the empty virtue-signaling of most "political pop." While they've gained a reputation as defiantly outspoken artists (they declared Trump wasn't their president on their first ever late night appearance on Kimmel), MUNA's most radical statement is simply how they the tell truth about the ugliest sides of heartbreak and trauma in terms both universal, and specific to those society is most apt to isolate.
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